Serimpi Dance

http://www.youtube.com/watch?v=S0pncfD2oHAendofvid
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The Serimpi-dance was therefore reserved exclusively for the daughters of the ruler. With a clear purity they embodied the dance.
In the Serimpi-dance a picture is painted of a world through dance movements and stuctures:
• The dance begins with balanced, static poses, symbolising a moment of rest.
• This serinity is disturbed by the constant movements and changing positions of the dancers, a situation comparable to the disharmony caused by the passions of the human world. In the dance this is sometimes represented by a struggle.
• The structure of the dance recovers, as humanity also comes to its senses.
These images are emphasized by the fact that the Serimpi is always danced by 4 similar dressed dancers, who dance in 2 couples.
The Serimpi-dances of the Keraton Surakarta Hadiningrat are characterized by e strong spritual connection with the goddess of the South Sea, Kanjeng Ratu Kidul. The royal family attributes its position to the personal protection from the goddess. The dances are a tribute to Kanjeng Ratu Kidul and the dancers open themselves spiritually to a confrontation with the 'Higher World'.

In one of the audiance halls of the Keraton Surakarta Hadiningrat, named Bangsal Semorokoto, the Serimpi Lagu Dhempel court dance was taught to Romanita Santoso by Raden Rårå Eko Kadarsih under the guidance of Gusti Raden Ayu Koes Moertiyah, daughter of the reigning sovereign Sri Padukå Susuhunan Paku Bhuwånå XII of Surakarta and chairman of the Yayasan Pawiyatan Kabudayaan Karaton Surakarta (Foundation Cultural Education Karaton Surakarta). It is the Keraton Surakarta Hadingrat's own shortened version of the original dance of approximately 60 minutes.
This Serimpi Lagu Dhempel is attributed to the sovereign Sri Padukå Susuhunan Paku Bhuwånå VIII (1858-1861).
It depicts an episode of the Ramayana, in which the sovereign Råmåwijåyå gives wise advice to his younger brother about the way to become a good king.

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